The rest of my review of My Big Fat Greek Wedding that I started below, cut off by my incompetence with HTML:
The Last Time I Circle Danced...
was at a Kitka concert at a Methodist Church one block from my house. Yes, I'm an (ex-)Unitarian middle class ethnically ambiguous (Swedish/Welsh/English) white person, and yes, circle dancing, besides being good exercize, tapped into my need for a sense of ethnic rootedness. But I wouldn't marry a circle dancer—they’re not my type. I'd rather marry a polka dancer. Wait, I can't marry a circle dancer or a polka dancer, it's not legal for me to marry anyone yet. The movie never addresses the problems of marriage as a construct, it only addresses the compulsive nature of marriage. Thank the gods they didn't follow the lead of Monsoon Wedding and couple off every last single character right down to the second cousin twice removed from Toledo.
There, now I've talked about every movie I've seen in a theater all year, except Spiderman. Spiderman definitely swam against the tide of compulsory couplehood. Was Peter Parker that movie's gay character? Hm... another time I'll revisit that question.
And still another time I'll tackle why everyone thinks gayness is an ethnicity. We have a flag, don't we? We must have a homeland and an aboriginal language if we have a flag... Maybe we could declare war on someone, say they stole our homeland. I think Tuvalu sounds good this time of year.
Suffice it to say, just because a white/light-skinned Greek-American, English-American, or Queer-American does the hora, it doesn't make her an anti-racist, or a white-supremicist, or Just Like You and Me. Well, Just Like You, anyway. Ethnic dancers are just dancers, and the Serb nationalists are still hostile to non-Serbs, and the Greek nationalists are hostile to Turks and Islamic Cypriots, and Russian nationalists are hostile to (the dark-skinned) Caucasians -- all under the flag of Orthodoxy.
In summary, go see My Big Fat Greek Wedding, but don't waste your time as I did looking for brown people in the movie to problematize its racial agenda, or guessing who they are going to kill off to give the movie more depth and remind us of the history of real sorrow that trails behind those quaint Orthodox rituals.
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